Syllabus

 

Week

Topic

Primary Readings

Secondary Readings

Activities

1

 

Friday

04/14

What is literature?

What is a genre? What makes a literary genre a genre?

ÒInstrucciones para subir una escaleraÓ by Julio Cort‡zar.

 

ÒTesis sobre el cuentoÓ by Ricardo Piglia

 

ÒLos gŽnerosÓ by Marc Angenot

Discussion of the topics presented in worksheet #1 (prepared and provided by the instructor).

Goals for week # 1

  • Problematize the limits of a literary genre.
  • Identify gernal patterns of the genre of short stories.
  • Identify general patterns of a genre within a genre (El cuento policial, el cuento fant‡stico, el cuento de hadas, el microcuento).

 

2

 

Friday

04/21

El cuento policial: Àlos malos y los buenos?

ÒLa esperaÓ by Jorge Luis Borges

 

 

ÒEl cuento policialÓ Conference given by Jorge Luis Borges

in Universidad de Belgrano (16 June, 1978).

 

Excerpts from The Novel and the Police by D. A. Miller

 

 

Discussion of the topics presented in worksheet #2 (prepared and provided by the instructor).

Goals for week # 2

  • Identify clues and deductions present in el cuento policial and question possible transgressions to the genre.

 

3

 

Friday 04/28

Cuento con tu sorpresa: el cuento fant‡stico

ÒNo se culpe a nadieÓ by Julio Cort‡zar

Excerpts from ÒDefinici—n de los fant‡sticoÓ by T. Todorov

Discussion of the topics presented in worksheet #3 (prepared and provided by the instructor).

Goals for week # 3

  • Identify the concept of ÒdefamiliarizationÓ as a mean to offering an alternative explanation of the world, present in el cuento fant‡stico.

 

4

 

Friday 05/05

Cuentos con encanto: el cuento de hadas

Ò4 pr’ncipes 4Ó (Pr’ncipe 3 y Pr’ncipe 4) by Luisa Valenzuela and ÒCenicienta IIIÓ, ÒSapo y princesa IÓ by Ana Mar’a Shœa

Excerpts from ÒLuisa Valenzuela: lectura descolonizadora del cuento de hadas tradicionalÓ by Nelly Mart’nez

Discussion of the topics presented in worksheet #4 (prepared and provided by the instructor).

Goals for week # 4

  • Deconstruct traditional gender roles and explore political uses of literature through the rewritings of fairy tales.

 

5

 

Friday 05/12

Contar con pocas palabras: el microcuento

ÒEl dinosaurioÓ by Augusto Monterroso.

ÒLa verdadera crueldadÓ, ÒConsejoÓ, ÒEste tipo es una minaÓ, ÒHay algo m‡sÓ ÒEl mayor de los OdiosÓ, ÒÀEl sue–o seÉ?Ó ÒUbicaci—n geogr‡fica yÉÓ by Luisa Valenzuela.

ÒUna vidaÓ by Adolfo Bioy Casares.

ÒUnicornioÓ by Enrique Anderson Imbert.

ÒParŽntesisÓ by Jorge Timossi.

ÒUn sue–oÓ by Jorge Luis Borges.

Excerpts from ÒLos mecanismos de la brevedad: constantes y tendencias en el microcuentoÓ by Raœl Brasca

Discussion of the topics presented in worksheet #5 (prepared and provided by the instructor).

Goals for week # 5

  • Explore parodic uses of language in microcuentos.
  • Explore metafictional strategies of language in microcuentos.

 

6

 

*Tuesday*

05/16

Conclusions

 

 

Participants will talk about their projects and share their proposals with the rest of the class